What is the European Capital of Culture?

The European Capital of Culture is an initiative of the European Union which, since 1985, has recognised different cities each year that place culture at the heart of their development.

More than 60 cities have already held this title, now one of the most influential cultural distinctions on the continent.

After a 2025 in which Chemnitz, in Germany, and Nova Gorica–Gorizia, on the border between Slovenia and Italy, delivered their cultural programmes, the baton passes in 2026 to Oulu in Finland, Trenčín in Slovakia and Budapest in Hungary, which begin a year of intensive programming.

In 2031 it will be the turn of Spain and Malta, and Oviedo is working to become the Spanish city to host the title.

The bid is conceived as an ambitious, participatory and transformative project that understands culture as a tool for social cohesion, innovation and international projection.

What does it involve?

Designing a high‑quality cultural programme, open to all residents and visitors.

Projecting the city to Europe and the world, attracting tourism, investment and talent.

Engaging the public, encouraging the active participation of artists, cultural stakeholders and institutions.

Placing culture at the centre of public policy to leave a lasting legacy that transforms the city’s cultural life beyond the title year.

It is a unique opportunity to rethink the city through culture and to build a more creative, open and connected future.
The European Capital of Culture is more than a title: it is a collective project that turns culture into a tool for real transformation.

Oviedo 2031

Mapa Ovoedo 2031

Asturias is a small, peripheral territory that has experienced Europe’s industrial transformations in an especially intense way.

The reconversion of the region’s mining and industrial sectors left deep marks that today translate into challenges such as depopulation, ageing – in a few years it will be one of the most aged regions on the continent – and the departure of young people in search of opportunities.


At the same time, it is a territory with a strong cultural identity, its own language, an exceptional landscape and a mild climate. It also faces the challenge posed by tourism pressure. All these aspects make Asturias and Oviedo a concentrated reflection of many of today’s European challenges.

We are not immune to an international context marked by a severe sociopolitical crisis. We are concerned by the erosion of the democratic values embodied by the European Union and by the current rise of authoritarianism and aggression as dominant forms of interaction between people and countries.

 

In response, our bid proposes a cultural approach to building a narrative grounded in amabilidá. This is neither an innocent gesture nor a denial of conflict, but rather a conscious way of being in and before the world: an ethical and political project of coexistence that recognises diversity and places listening, dialogue and respect at the heart of a living democracy.

The initial motto of the bid, Puxa Europa – roughly equivalent to “Go, Europe!” – was coined as a pro‑European impulse and a call to action; today it enters into dialogue with amabilidá as the central concept of the project, a way of resisting indifference and building a better future through thought, dialogue and cooperation.

Our working process

Oviedo 2031 seeks to build community through participation, creativity and talent. To this end, a working process has been carried out that includes open meetings in neighbourhoods, gatherings with the cultural sector, roundtables with creative stakeholders and spaces for dialogue across the territory.

The bid has taken shape through meetings with citizens, sectoral roundtables and the work of the technical team, which recently submitted the bidbook to the European jury and is now preparing for its presentation in Madrid, where it will need to demonstrate that Oviedo deserves to move on to the next phase.

Within this process, the Call for Expressions of Interest played a key role. Launched last summer, it made it possible to gather project proposals from individuals, collectives and associations. These contributions strengthened a broad, territorial and shared vision of the project.

The idea behind this entire journey is clear: it is not only about showing what Oviedo already is, but also about demonstrating what it can become when culture is placed at the centre.

Asturias

Asturias, in northern Spain, nestled between the sea and the mountains, is a land with its own identity, where nature, history and culture move in unison. Its green landscapes, industrial heritage, villages, language and a creative, welcoming community make Asturias a unique place in Europe.

A land that cares for its roots and looks to the future by making culture the driver of cohesion, innovation and sustainability.

 Asturias isn’t a place you visit, but rather one you find yourself returning to, even if you’ve never been here before.

 — Antonio Muñoz Molina, writer.

Team

Rodolfo Sánchez

Director of the bid

Pepe Mompeán

General coordinator

Natalia Álvarez Simó

Artistic director

Zoe López Mediero

Territorial Coordinator

Los Patos

Graphic Design

Ángela Rico

Communication Coordinator

ACERCA Comunicación

Communication Consultancy

Natalia Balseiro

Participation

Antonia Blau

European Dimension

Chus Neira

Editorial Coordinator

Jorge Fernández León

Public cultural policies

Neozink

Online communication and social media

José Castellanos

Production coordinator

External consultants

Franco Bianchini

Cristina Farinha

Paula Mota García

Curators

Jorge Fernández León

Curator of Public Cultural Policies

Vanesa García Rodríguez & Ignacio Ruiz Allen

Curators of Architecture and Urban Planning

Mónica Cofiño

Curator of Contemporary Performing Arts

Marta Fernández Silverio

Curator of the Youth Area

Leticia Sánchez Ruiz

Curatorship of Literature

Aarón Zapico Braña

Curator of Musical Disciplines

Llorián García Flórez

Curator of Contemporary Thought

Dido Carrero Muñiz

Curator of Health and Culture

Semíramis González Fernández

Curator of Visual Arts

Capitality Council

Vanessa Gutiérrez

Regional Minister of Culture, Language Policy, and Sports

Ana Montserrat López

Councillor for Culture, Youth and Museums, Gijón

Yolanda Alonso

Councillor for Culture and Festivals, PSOE Avilés

David Álvarez Menendez

Councillor for Culture, Oviedo

María Pilar García Cuetos

Vice-Rector for University Outreach and Cultural Projection

Carlos López Otín

Professor of Biochemistry and Molecular Biology, University of Oviedo

Teresa Sanjurjo

Director, Princess of Asturias Foundation

José Manuel Ferreira

Vice President, Chamber of Commerce

Jorge Fernández León

Cultural Manager

Juan Carlos Rodríguez Ovejero

President, Oviedo Opera Foundation

Pilar Rubiera

President, Oviedo City Musical Foundation

Alfonso Palacio

Deputy Director, Museo Nacional del Prado

David González

Executive Director, SEKUENS Agency

Otilia Requejo

Director of Cultural Heritage, Archdiocese of Oviedo

Xosé Antón Fernández Riaño

President, Academy of the Asturian Language

Joaquín López Alvarez

Director, Museum of the Asturian People and Asturian Photographic Archive

Martín López-Vega

Director of the Executive Office, Instituto Cervantes

Semíramis González

Curator, Cultural Manager, Art Historian

Ricardo Menéndez Salmón

Writer

Lucía García

Former Director of LABoral Art Centre, current Director of IMAL, Brussels

Iván Fernández Lobo

Video Game Expert

Estrella García

Director, Dancer and Choreographer

Antonio Ripoll

Programmer and Theatre Expert

Berta Piñán

Former Regional Minister of Culture and Language Policy of Asturias, Poet

Sergio G. Sánchez

Film Director and Screenwriter

Lisardo Lombardía

Former Director of the Interceltic Festival of Lorient

Reyes Ceñal Rodríguez

Director, Compromiso Asturias XXI